Tournaments of Madness and Death – Coming Soon

If this adventure book was an old school metal release from the 80s, on some creaky little independent label it would be one of those quirky split singles, were two bands would each have a side of the vinyl record.

On Side A is The Furnace. The first convention adventure that I ran when I decided to run an Old School D&D adventure, initially using Labyrinth Lord, and was named after the convention it was run at, namely, Furnace which is held every October in Sheffield UK. I ran it on Saturday night, which is now my annual slot for running OSR games, and despite the naysayers at the bar beforehand, who seemed threatened by my decision to run a game using a system they had left behind years ago, and the my own almost paralysing bout stage fright we had a fantastic time. It was at this point I decided that it was well worth my time returning to the games of my formative years in the hobby. The precise details of the scenario have changed with time, and it’s a more compact and polished-up Crypts and Things write up that is presented here.

Tearing up side B is The Tomb of the Evil Emperor. This was one of my final outings with Crypts and Things as a convention game in my first phase of running the game at conventions, just after the release of the game in 2012. A slightly boozy game at Continuum, a summer affair held bi-annually at Leicester University, which saw the bold adventurers race across the ruins of the Grand Debris, through the buried Imperial Complex, to a final confrontation with the shocking surprise of the true form of the Evil Emperor.

Two sides of the Crypts & Things convention experience. Madness both in the sense that the locations that make up the adventures aren’t your typical garden dungeon. The Furnace takes place on an artificial iron moon held up in the sky by magic, while Tomb is in a city crushed by a vengeful god using a meteor. Death because it was what faced the doomed world of Zarth if the adventurers failed in their mission to stop the Ultimate Evil that threatened the world, and because it was a genuine possibility given the cast of horrors they faced. All “good friendly violent fun in store for all” as the thrash metal band Exodus once sang on their song Toxic Waltz.

Finally Dark, Delicious and Deadly is an insert, cunningly placed between the two adventures, that explains the method behind the madness about how I run convention games of Crypts and Things.

For 3-6 characters levels 4th-5th, explicitly written for Crypts and Things but usable with a host of retro-clones based on the early editions of the Worlds Favourite Fantasy Game, and heck even the modern 3rd to 5th Editions if you can be bothered to put the work in adapting the monster blocks.

ETA Sometime in July, pre-order soon.

Tournaments of Madness and Death cover by David M.Wright

That Black Hack Thing

So here’s a post that is long overdue, an appreciation of David Black’s The Black Hack.

Like Dungeon World this was a game that I blindly stumbled into on Kickstarter, following a bit of a buzz online. In fact, if I was thinking critically it should have been a big nope. The pitch for the game was a bit meh “this is my version of D&D I run at cons, and people have asked me to make a printed version” and list of changes/features. But what sold me was its logo:

How badass and metal is that 🙂

So What is it?

In short, it’s David’s Rules for running no-nonsense D&D games at conventions and short online games. You can spin campaign games with it since it still has level progression, but beware the experience rules amount to “characters gain levels when the DM says they do”. Which I like, as a middle-aged dad I’ve not got time to run the old week in week out experience point grinds of my teenage years.

Its roots are firmly in the old school, with four OSR four classes, each of which gets a page listing their restrictions and special abilities in the A5 booklet. Then it expands and refines the rules base with cool bits from other modern derivatives ( such as Dungeon World’s GM doesn’t roll, 5th Edition’s Advantage roll) and bits of the author’s devising (such as usage dice for keeping track of expendable items, the initiative system where you test against Dexterity on a D20 and if you fail you go after the monsters). Monsters and spells are no-nonsense, a short paragraph with essential stats. that fit in a couple of tables over two or so pages. For example, monsters are presented as Armour, Hit Dice, and quick special abilities.  And that’s the big thing about the Black Hack, it really presents the game in a very clean bare-bones fashion, with no unnecessary padding.  Apart from the game’s logo which also acts as the cover image, there is no art, just a very clean and effective graphic design and typography (are you beginning to see a theme here?) At the time it had me scratching my head thinking “is this actually an RPG?”.

What its good for

Using the Black Hack at Furnace 2016

I got to test the rules out at Furnace 2016 where I had initially offered to run a 5th Edition game but had failed miserably to get my head around the three books in the time that I had pitched the game and I was due to run it. So instead of panicking, I thought “why bring three heavy thick hardcovers to the table, when I can bring one slim a5 booklet” 🙂 So I ran a playtest with my home group, who as fans of various editions of D&D had it under a stern gaze, and it passed with flying colours! Same when I ran it at the convention, with a group of players of varying experience with D&D. It just worked and delivered Maximum Gaming Fun.

Which is the win with any role-playing game, and the point where the Black Hack became one of my “you’ll pry this from my cold dead fingers” games.

Hacking the Black Hack

But this wasn’t the end of my adventures with the Black Hack. The game’s text is completely Open Gaming Content and comes with its own Open Gaming License. It encourages you to remix and remake it in whatever image you want. So I’ve done this myself a couple of times. Once for a Dark Sun tribute called Black Sun (get it 😉 ) and more seriously for a British Post Apocalyptic Game set in the 70s, called Un-United Kingdom. Both these remain unpublished because they need polish and playtesting. But they were both fun to build and write, and Un-United Kingdom has had an entertaining trip out as a Convention game, and worked out of the box first time 🙂

Polished games out there

While I may not have got my efforts out there, there is a dizzying array of free and low-cost games and supplements for the Black Hack. DriveThruRpg.com lists 386 at present.

Three that come to mind that are a bit more developed and standalone games in their own right:

Cthulhu Hack by Paul Baldowski (Just Crunch Games).  Cthulhu done lo-fat style using the Black Hack. Fully suppported with a range of adventures and supplements.

Heroic Fantasy by Graham Spearing (Wordplay Games). If you want more classes, such as the Barbarian and the Bard, more monsters, races (Dwarf, Elf etc) a bit more guidance and a full adventure, this 89-page game delivers.

Kaigaku by Jacob DC Ross (Thunder Egg Productions). A slimline take on Samurai Roleplaying, that has all the flavour of the 90s classics that inspired it but none of the rules bloat.

Second Edition now on Kickstarter

Author David Black has decided to do a 2nd edition packed with more examples, art, and other cool stuff to make the game even cooler than it already is.  It’s currently on Kickstarter now, and its legions of fans have pushed it over the 500% funded mark already.